I challenged myself to submit a short story for publication, and my short story about my paternal grandfather was accepted and published today on The Keepthings online literacy magazine!! ๐
The editor, Deborah Way, is a former Editor of #OMagazine, and was a joy to work with!
You can click the link below to read it on #The keepthings Substack andย Instagram page in its entirety.๐
I would really love it if you would take a moment to read, like, comment subscribe and shar, and support my work.
I’m really proud of this work and I think my grandfather would be too.
If you’re like me, the first few months of this year hit hard and I feel like I’ve just gotten off of a rollercoaster. The constant influx of shocking news was debilitating and I had a difficult time connecting with my creativity. Luckily my short play and other opportunities had already been planned or I would have drowned in a sea of fading hope.
I say all that to say I am coming up for air and will be writing more often. I am now on Substack and you can find me @tonisroom
I’ve always been torn between using this blog space for poetry or for writing about my life and my thoughts . I didn’t want it to be difficult for those looking for poetry to have to sort through other writings, and vice versa. I’ve decided that my prose writing/essays etc will be on my Substack and this blog will be used to share my poetry and poetry events.
Hi Family๐๐พ If I haven’t already told you, one of my poems is being produced as a short play and I’m so excited! The ticket link is live for anyone purchasing tickets to my directorial debut ๐ in Philly March 2nd. I hope you can make it!
Use code TCMP32 for a discount until January 15th.
If you’d like to support the Black woman owned production company, and place a personal or business ad in the program, you can do so at this link below.
My beloved wisdom womb surrounded by soft, brown flesh protecting magic forgive me for wishing you away
For cursing you and shaming you as I wrestled you into the jeans bought too tight just to impress that boy stuffing you inside girdles and other undergarments designed to control and confine your beauty
succumbing to the misogynist media narrative seeking to dissolve you in the name of purity and perfectionism I was taught the process of dissipating you never the power of your sacred protest
Forgive me for forgetting your sacrifice during the abortion
The day you held and protected my first born as I laid stretched out over my mother's casket
I, for a moment, failed to remember the grace and light you allowed when I only saw darkness
Growing and cradling my grandmother's eggs to bring forth life when I didn't know how I would even live
Your strength and determination to hold two nine pound babies to term How you held my sorrow for the three who I would never see My rainbow child still recalls the soft and calming swish of your cascading melodies / music she continues to push out into the world on her own
Even sliced and laced after two cesarean section, you still hold move beautifully How could I be ashamed of your capacity to heal and nurture us all If I never cried for you, I should never try to hide you
So I vow now
No more 'Spanx' or disgusted gazes in the mirror when you show yourself to the world You are my lifesaver My miracle maker My healer and the source of all my creation I love you and thank you My wisdom womb
Sometimes you have to forget that you’re somebody’s momma, someone else’s nurturer, someone else’s provider, boss, therapist, housecleaner, mentor, hero and role model and just be.
Be free.
Be in spaces and places no one would expect you to be.
Hair and toes out, dancing /swaying/moving/ calling in joy
Calling in Josephine Baker, Dorothy Dandridge, and every ancestor who conspired to form your hips, lips, and freedom.
Be seen, be joyfilled, be unapologetic
Be around people eager to give without expectation of receiving.
Refusing the courtesy ride home in the back of the police car.
He was innocent.
No apologies for being accused of fitting the description of someone who was running and not doing anything but fitting the description of every black boy profiled.
A black boy running at night.
The cops told me that he wasn’t running when they stopped him. Thank God, I thought.
Because black boys who run get murdered.
So today I feel sad for you and all of the children we’ve lost to racism.
Today I selfishly thank you.
Thank you George for your life because it may have saved the life of my son.
A black boy who just wanted to breathe fresh air.
A black boy who just wants to feel freedom.
I pray for him.
I honor You.
You couldn’t breathe but he will breathe and run and stop and take breath and return home again today
I pray .
~ M. Tonita Austin aka Toni Love
written on the second anniversary of George Floyd’s murder. 5.25.22
I will always describe myself as a Black girl, born and raised in West Philadelphia though I had experiences unlike most of the Black girls I grew up with. I was raised in a home where I felt I had to always be productive, whether it was doing chores, doing homework or being active outside. I hated sports, barely learned how to ride a bike and did not feel I fit in with the popular kids on the block. I was afraid of boys, because I knew my daddy would kill me if I came home pregnant, and I had three annoying brothers and was not too fond of boys for that reason alone. I threw myself into the one thing that I excelled at, and that was school.
At the age of thirteen, I received a full scholarship to an all girls boarding school in a small, wealthy town in the South, and it changed my outlook on life outside of the urban setting forever. I was not only witness to the stark differences and available opportunities of private school education, I was also exposed to racism, elitism and white supremacy that I had not experienced in West Philly. It was there that the activist and community organizer innate in me emerged, which attracted the humanity and compassion in some of the non Black administrators, teachers and students that created a life perspective that allows me to coexist in both worlds authentically.
I say all that to say that my first experience being a member of the global majority in an all white space made me both more open minded and more aware of the need to be vigilant in speaking out and up about injustice and abolition for Black and brown folks. Through my college years and beyond I have forged deep and long lasting community with Black women that have been sustainable and life saving. When I moved to the suburbs for work and started a family, I formed friendships with both Black and non Black women that have been deeply supportive of my activism and aware of my stressors and struggles as a solo parent raising two totally different, neurodiverse young people. This is how I came to learn of Kripalu , Center for Yoga and Health.
During the pandemic, a friend and yoga teacher gifted me the opportunity to attend her outdoor Yoda Nidra classes in support of my community organizing and prison reform work. It was not the first time I experienced yoga nidra, but it was the first time that I felt completely seen and cared for as a full bodied Black woman in a predominantly white yoga class; it was exactly what my nervous system needed at the time. So I kept showing up.
She eventually introduced me to her teacher, Tracee Stanley, so when I saw that Tracee was facilitating a workshop at Kripaul the weekend of my birthday, I knew that it was not a coincidence and that I was feeling drawn to be there. Kripalu felt like a magical place and I felt a huge chunk of fear leave my spirit when I left. I was again finding my way in a predominantly white, predominantly wealth space which seemed so far from the life I was living that I had no expectation of returning. Two years later, I found myself applying for an activists fellowship and was awarded an entire week to rest and restore at Kripalu. When I opened up the email, I was both extremely honored and excited and read it several times before it sank in. The scholarship would afford me the opportunity to spend six days and five nights at Kripalu and all I had to do was get there.
Trust that the way knows the way
This year was different. I was feeling a heaviness that I haven’t felt since my mother died more than twenty years ago. I was exhausted, sad and struggling with getting sound sleep and feeling anxious more than usual. Much of it could be attributed to menopause and being a Black woman raising Black children in this world, but I recognized that it all led me to this place of depression. For the first time in five years, I knew I needed help and found a therapist, but I also knew that I needed to make space for myself to step away from my every day responsibilities and have a deep reset.I struggled with carving out significant time for myself, with the responsibilities of a householder with children, but I was completely exhausted and knew that I had to figure out a way to accept this opportunity.
When we arrived, I instantly felt the peaceful energy but couldn’t help but notice the absence of Black and brown folks in the hallways and other spaces – other than the kitchen and the cleaning crew. As I walked past the registration desk, through the hallways, and to my private room, I felt a sense of guilt and wondered if any of those workers were given the same opportunity to rest. After lunch, I walked out the back door to take in the more than one hundred acres of breathtaking sacred land, I immediately felt overwhelmed by the presence of the ancestors. Each time I walked outside or down to the river to take in the beauty of the land I felt accompanied by supportive, ancestral energy. When I sat looking at the mountainous landscape I could almost see a long line of warriors, standing tall with their eyes watching and waiting to move forward when the coast was clear. The Stockbridge-Munsee Band of Mohican Indians were still present, protecting and tending to their descendants and land stolen to create this meditative experience for the mostly wealthy, white visitors.
Not all of the white faces I encountered looked happy to see me sharing their space, but I took up the space anyway. I no longer felt that I didn’t belong, but that I was welcomed here; I was called here for a reason, and that this was a time for me to listen in deeply to their wisdom and know that I belonged here more than anyone else, regardless of what the other visitors conveyed through actions or attitudes. This knowing transcended the stares I would get because of my brown skin, the lack of eye contact that I felt often in my suburban neighborhood back home, the Ayurvedic massage practitioner who seemed annoyed that I was unable to remove my waist beads and the difficulty finding full sized t shirts and clothing in the gift shop.
To say the weekend was transformative is an understatement. I left feeling that I had shed years of grief and obligation, formed a deeper connection to my ancestors, and clarity around my own needs as a mother and Black woman walking in this world that often does not honor her presence. I am so grateful for the experience.
There are many mini sanctuaries in the city and surrounding suburbs that are much more easily accessible, affordable, and cater to the needs of Black and brown people, but they don’t all provide the acres of land for venturing, fresh, locally sourced food and the feeling of deep presence that I felt at Kripalu. If you get the opportunity to travel there, go. Go with the awareness that not everyone will welcome you there, but those who will, are there waiting for you. Aho.
“What belongs to you shall come to you ” ~ Yogi teabag
Here’s more info from the production company. I’ll share more about the process later. ๐
Hello Friends of Theater and Art: We want to let you know about March 2, 2025, at 4 PM. The Collective Mic Productions will host our 2nd Annual โAn Evening of Shortsโ at the Venice Island Performing Arts Center, located at 7 Lock Street, Philadelphia, PA 19127 (Manayunk). Thereโs PPA Kiosk parking available on site.
The Collective Mic, LLC, and its Productions, founded by artists Jody Austin and Tiffani Dean, are dedicated to inspiring both adults and youth through the visual arts, literary arts, literacy, and performance arts. Serving communities in Philadelphia, Tri-State area and beyond, we bring the transformative power of the arts into schools and community spaces, empowering young people and fostering creativity at every step.ย We are also an all-woman BIPOC and veteran owned organization.
AN OPPORTUNITY TO SUPPORT THE ARTS โจ๏ธ
Our commitment to theater, film, and performing arts has driven us to create productions that celebrate poetry, literacy, community engagement, and inclusivity, allowing us to provide a platform for artists of diverse backgrounds. Each production, festival selection, and community initiative extends our mission to enrich Philadelphia’s cultural landscape, fostering a network of artists and encouraging impactful community service.
By becoming a sponsor, your business will gain valuable visibility across our social media platforms, promotional materials, and email outreach, which currently includes over 2500 contacts. Your support will help over essential costs like venue, housing, and transportation for our dedicated cast and crew, contributing directly to the success of our programs. Noncontribution is too small, and every bit helps us continue our mission to inspire and empower.
We are pleased to offer a variety of sponsorship packages, including:
Gold Sponsor $1000: Includes 5 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Silver Sponsor $500: Includes 4 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Pewter Sponsor $250: Includes 3 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Bronze Sponsor $100: Includes 2 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Copper Sponsor $75: Get a half-page ad in our beautifully designed digital program booklet to showcase your business logo and send a shout-out to your favorite actors or family members. This ad will be shared widely across our social media platforms and with our live audience, providing great exposure! Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Nickel Sponsor $50: Receive a quarter-page ad in our beautifully designed digital program booklet to showcase your business logo or send a shout-out to friends and family. This ad will be widely shared across our social media platforms, helping to maximize your brand visibility. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
We would be delighted to discuss how we can collaborate with you to make a meaningful impact. If interested, please reach out at TheCollective2014@gmail.com. Contributions can be sent via Cash App @TheCollectiveMic, PayPal @https://www.paypal.me/TheCollectiveMic or our GoFundme link
I’ll be doing what I do Saturday March 30th, 8pm at the 4th annual ladiesnight at the #Malelanicafe in the Germantown section of Philadelphia ๐ 6734 Germantown Avenue. We will be closing out Women’s #Herstory month with music, comedy and poetry.
There will be a diverse group of artists and food and drinks to purchase.
It’s $10 for the guys and $5 for the women.
Tell your friends to pull up! I just might be wearing this color lip ๐๐
Hey poetry fans, if you haven’t been to the Imperfect Gallery located at 5539 Germantown Avenue in the Germantown section of Philadelphia, you are formally invited to come out during the entire month of March.
The entire month will be dedicated to Women artists, and if you want to see me and the phenomenal Sabriaya, (check out her full bio on her website) a poet, educator and storyteller, then mark your calendars and stop by The Imperfect Gallery on March 14th, 2024 at 6PM. The $15 cover supports the artists with work on display, the performers and the beautiful art gallery.
Seating is limited, so please come early.
I’m honored to be sharing the “stage” with all of the talented women who will be in the space, and sharing some poetry that you’ve never heard before.
Feel free to drop a heart below and share your excitement about coming. Your presence would mean the world to me!
“The Mad Poets Society, a non-profit 501(c)(3) tax exempt arts organization, is an integral part of the Philadelphia writing community. Mad Poets has grown from humble roots and a handful of poets at Media Borough Hall in Delaware County, Pennsylvania, to over 100 members in six states.ย It is an active organization of poets and writers who have joined together for camaraderie and critique with heart, to celebrate the creative soul and to promote the literary arts.ย “
In just a few months, I will have to give up my crown to another worthy poet. Each year they choose a poet who is given the opportunity toโfeature their work on their blog along with insight into their inspiration for the poem that they choose for the month. I am proud to be a mad poet and I thoroughly enjoy every event, poetry reading and book review that I’ve experienced and am in awe of the creativity, brilliance and compassion of the poets I’ve met.
It has been an honor and challenge to choose 12 poems out of all that I have written, but I am thoroughly enjoying it.โI hope you hop over to their blog to check out the poem that was featured in January, as I think about what I will choose for February. Which love poem should I choose?
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