I will always describe myself as a Black girl, born and raised in West Philadelphia though I had experiences unlike most of the Black girls I grew up with. I was raised in a home where I felt I had to always be productive, whether it was doing chores, doing homework or being active outside. I hated sports, barely learned how to ride a bike and did not feel I fit in with the popular kids on the block. I was afraid of boys, because I knew my daddy would kill me if I came home pregnant, and I had three annoying brothers and was not too fond of boys for that reason alone. I threw myself into the one thing that I excelled at, and that was school.
At the age of thirteen, I received a full scholarship to an all girls boarding school in a small, wealthy town in the South, and it changed my outlook on life outside of the urban setting forever. I was not only witness to the stark differences and available opportunities of private school education, I was also exposed to racism, elitism and white supremacy that I had not experienced in West Philly. It was there that the activist and community organizer innate in me emerged, which attracted the humanity and compassion in some of the non Black administrators, teachers and students that created a life perspective that allows me to coexist in both worlds authentically.
I say all that to say that my first experience being a member of the global majority in an all white space made me both more open minded and more aware of the need to be vigilant in speaking out and up about injustice and abolition for Black and brown folks. Through my college years and beyond I have forged deep and long lasting community with Black women that have been sustainable and life saving. When I moved to the suburbs for work and started a family, I formed friendships with both Black and non Black women that have been deeply supportive of my activism and aware of my stressors and struggles as a solo parent raising two totally different, neurodiverse young people. This is how I came to learn of Kripalu , Center for Yoga and Health.
During the pandemic, a friend and yoga teacher gifted me the opportunity to attend her outdoor Yoda Nidra classes in support of my community organizing and prison reform work. It was not the first time I experienced yoga nidra, but it was the first time that I felt completely seen and cared for as a full bodied Black woman in a predominantly white yoga class; it was exactly what my nervous system needed at the time. So I kept showing up.
She eventually introduced me to her teacher, Tracee Stanley, so when I saw that Tracee was facilitating a workshop at Kripaul the weekend of my birthday, I knew that it was not a coincidence and that I was feeling drawn to be there. Kripalu felt like a magical place and I felt a huge chunk of fear leave my spirit when I left. I was again finding my way in a predominantly white, predominantly wealth space which seemed so far from the life I was living that I had no expectation of returning. Two years later, I found myself applying for an activists fellowship and was awarded an entire week to rest and restore at Kripalu. When I opened up the email, I was both extremely honored and excited and read it several times before it sank in. The scholarship would afford me the opportunity to spend six days and five nights at Kripalu and all I had to do was get there.
Trust that the way knows the way
This year was different. I was feeling a heaviness that I haven’t felt since my mother died more than twenty years ago. I was exhausted, sad and struggling with getting sound sleep and feeling anxious more than usual. Much of it could be attributed to menopause and being a Black woman raising Black children in this world, but I recognized that it all led me to this place of depression. For the first time in five years, I knew I needed help and found a therapist, but I also knew that I needed to make space for myself to step away from my every day responsibilities and have a deep reset.I struggled with carving out significant time for myself, with the responsibilities of a householder with children, but I was completely exhausted and knew that I had to figure out a way to accept this opportunity.
When we arrived, I instantly felt the peaceful energy but couldn’t help but notice the absence of Black and brown folks in the hallways and other spaces – other than the kitchen and the cleaning crew. As I walked past the registration desk, through the hallways, and to my private room, I felt a sense of guilt and wondered if any of those workers were given the same opportunity to rest. After lunch, I walked out the back door to take in the more than one hundred acres of breathtaking sacred land, I immediately felt overwhelmed by the presence of the ancestors. Each time I walked outside or down to the river to take in the beauty of the land I felt accompanied by supportive, ancestral energy. When I sat looking at the mountainous landscape I could almost see a long line of warriors, standing tall with their eyes watching and waiting to move forward when the coast was clear. The Stockbridge-Munsee Band of Mohican Indians were still present, protecting and tending to their descendants and land stolen to create this meditative experience for the mostly wealthy, white visitors.
Not all of the white faces I encountered looked happy to see me sharing their space, but I took up the space anyway. I no longer felt that I didn’t belong, but that I was welcomed here; I was called here for a reason, and that this was a time for me to listen in deeply to their wisdom and know that I belonged here more than anyone else, regardless of what the other visitors conveyed through actions or attitudes. This knowing transcended the stares I would get because of my brown skin, the lack of eye contact that I felt often in my suburban neighborhood back home, the Ayurvedic massage practitioner who seemed annoyed that I was unable to remove my waist beads and the difficulty finding full sized t shirts and clothing in the gift shop.
To say the weekend was transformative is an understatement. I left feeling that I had shed years of grief and obligation, formed a deeper connection to my ancestors, and clarity around my own needs as a mother and Black woman walking in this world that often does not honor her presence. I am so grateful for the experience.
There are many mini sanctuaries in the city and surrounding suburbs that are much more easily accessible, affordable, and cater to the needs of Black and brown people, but they don’t all provide the acres of land for venturing, fresh, locally sourced food and the feeling of deep presence that I felt at Kripalu. If you get the opportunity to travel there, go. Go with the awareness that not everyone will welcome you there, but those who will, are there waiting for you. Aho.
“What belongs to you shall come to you ” ~ Yogi teabag
If you’re like me, the first few months of this year hit hard and I feel like I’ve just gotten off of a rollercoaster. The constant influx of shocking news was debilitating and I had a difficult time connecting with my creativity. Luckily my short play and other opportunities had already been planned or I would have drowned in a sea of fading hope.
I say all that to say I am coming up for air and will be writing more often. I am now on Substack and you can find me @tonisroom
I’ve always been torn between using this blog space for poetry or for writing about my life and my thoughts . I didn’t want it to be difficult for those looking for poetry to have to sort through other writings, and vice versa. I’ve decided that my prose writing/essays etc will be on my Substack and this blog will be used to share my poetry and poetry events.
Hi Family👋🏾 If I haven’t already told you, one of my poems is being produced as a short play and I’m so excited! The ticket link is live for anyone purchasing tickets to my directorial debut 😀 in Philly March 2nd. I hope you can make it!
Use code TCMP32 for a discount until January 15th.
If you’d like to support the Black woman owned production company, and place a personal or business ad in the program, you can do so at this link below.
Here’s more info from the production company. I’ll share more about the process later. 😍
Hello Friends of Theater and Art: We want to let you know about March 2, 2025, at 4 PM. The Collective Mic Productions will host our 2nd Annual “An Evening of Shorts” at the Venice Island Performing Arts Center, located at 7 Lock Street, Philadelphia, PA 19127 (Manayunk). There’s PPA Kiosk parking available on site.
The Collective Mic, LLC, and its Productions, founded by artists Jody Austin and Tiffani Dean, are dedicated to inspiring both adults and youth through the visual arts, literary arts, literacy, and performance arts. Serving communities in Philadelphia, Tri-State area and beyond, we bring the transformative power of the arts into schools and community spaces, empowering young people and fostering creativity at every step. We are also an all-woman BIPOC and veteran owned organization.
AN OPPORTUNITY TO SUPPORT THE ARTS ✨️
Our commitment to theater, film, and performing arts has driven us to create productions that celebrate poetry, literacy, community engagement, and inclusivity, allowing us to provide a platform for artists of diverse backgrounds. Each production, festival selection, and community initiative extends our mission to enrich Philadelphia’s cultural landscape, fostering a network of artists and encouraging impactful community service.
By becoming a sponsor, your business will gain valuable visibility across our social media platforms, promotional materials, and email outreach, which currently includes over 2500 contacts. Your support will help over essential costs like venue, housing, and transportation for our dedicated cast and crew, contributing directly to the success of our programs. Noncontribution is too small, and every bit helps us continue our mission to inspire and empower.
We are pleased to offer a variety of sponsorship packages, including:
Gold Sponsor $1000: Includes 5 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Silver Sponsor $500: Includes 4 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Pewter Sponsor $250: Includes 3 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Bronze Sponsor $100: Includes 2 tickets, logo and business information on all platforms, recognition at events, placement in programs, and promotional opportunities. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Copper Sponsor $75: Get a half-page ad in our beautifully designed digital program booklet to showcase your business logo and send a shout-out to your favorite actors or family members. This ad will be shared widely across our social media platforms and with our live audience, providing great exposure! Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
Nickel Sponsor $50: Receive a quarter-page ad in our beautifully designed digital program booklet to showcase your business logo or send a shout-out to friends and family. This ad will be widely shared across our social media platforms, helping to maximize your brand visibility. Shout out your friends, family or business with your logo in our beautiful digital program book that will be seen all over our social media platforms to also maximize your brand visibility.
We would be delighted to discuss how we can collaborate with you to make a meaningful impact. If interested, please reach out at TheCollective2014@gmail.com. Contributions can be sent via Cash App @TheCollectiveMic, PayPal @https://www.paypal.me/TheCollectiveMic or our GoFundme link
Hey poetry fans, if you haven’t been to the Imperfect Gallery located at 5539 Germantown Avenue in the Germantown section of Philadelphia, you are formally invited to come out during the entire month of March.
The entire month will be dedicated to Women artists, and if you want to see me and the phenomenal Sabriaya, (check out her full bio on her website) a poet, educator and storyteller, then mark your calendars and stop by The Imperfect Gallery on March 14th, 2024 at 6PM. The $15 cover supports the artists with work on display, the performers and the beautiful art gallery.
Seating is limited, so please come early.
I’m honored to be sharing the “stage” with all of the talented women who will be in the space, and sharing some poetry that you’ve never heard before.
Feel free to drop a heart below and share your excitement about coming. Your presence would mean the world to me!
Mother’s day is not all candy and roses for everyone. It’s okay to be angry at God; she/he can take it and will still help you heal.
I hope my May poem choice for the Mad Poets Society PA blog helps those who are in need of healing from their own personal grief during this time so that you can welcome the love.
It’s National poetry month and I hope you are reading and/or writing more poetry this month.
Please click the link below to see my first poem and blog post as The Mad Poets Society Poet of the Year. Please subscribe to the blog for monthly updates. We’re doing this all year!
Bev was my best friend. Although she lived on the opposite end of my block in West Philadelphia, where I was born and raised, our paths never crossed until I was in my late teens. I was the smart kid who got teased a lot and kept to myself. She got the nickname Queen B because she would walk around the neighborhood like she was royalty. She was always laughing and would strut down the street with her hands on her hips, and it seemed to me that she never let what anyone else thought about her, bother her.
I was the smart, quiet teenager with hardly any friends, and she was the loud, charismatic, funny popular one with lots of personality, and introduced me to the cool people on the block. When I was hanging with Bev, I felt popular and protected. She wouldn’t let anyone say anything bad about me and my Mom treated her like family. My brothers were DJs so there were always turntables set up in our basement, and Bev and I and whoever else came over from the block would put on our favorite albums and sing, drink beer and laugh. She wanted to be a star and she had such a beautiful light within her. We lost her at the age of 40 and I now carry her light within me. Each time I walk on a stage, I think of her and this is one of the poems I wrote in remembrance. Happy heavenly birthday Bev!
I Remember You (basement duet for Queen B)
We sang into West Philly-bred microphones Scents of stale beer and cigarettes floating under our basement borne concerts Roberta Flack Natalie Cole Teena Marie They were us we were we and we were free Imagining concert halls filled with fans gasping for gardenia scented motions of us We danced swaying under water pipes and wooden rafters Dressed in summer swag, tossing braids and permed ponytails while we bumped hips and dipped knees We were stars on the dust filled unfinished basement stage It was all we knew We were inseparable until you strayed We went our separate ways You succumbed to painful nights soaked in old men calling for you to dance again Asking for alley romance and offering snow dust dreams and green smoke behind masks You danced to stale music with no voice Now you’re gone and with you our Webster street duet Yet I still hear you We walk together in a parallel universe Pushing my stroller under the suburban sunshine I think of my sister pushing through the door at the crack of dawn Both rising to meet our children Both trying to define success in the way we could see Yet I still see you
Walking alone waiting on the bus stop in clothes wrinkled in the scent of cigars and whiskey As I secure the seat belt of my luxury car at the corner of my single home We both sit cloaked in sadness I walk with you though you don’t see my journey Resting in the sorrow of acceptance that I could not save you from yours I remember you I see you I carry you I sing for you I write for you I swing my hips for you I inhale smoke filled rooms and sip beer through a straw for you I plant my feet and grab the mic in remembrance of you You support me I carry you I love you I remember you I REMEMBER YOU
Sometimes you have to forget that you’re somebody’s momma, someone else’s nurturer, someone else’s provider, boss, therapist, housecleaner, mentor, hero and role model and just be.
Be free.
Be in spaces and places no one would expect you to be.
Hair and toes out, dancing /swaying/moving/ calling in joy
Calling in Josephine Baker, Dorothy Dandridge, and every ancestor who conspired to form your hips, lips, and freedom.
Be seen, be joyfilled, be unapologetic
Be around people eager to give without expectation of receiving.
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